雕塑是透過色彩、造形、肌理的視覺手法，來演繹光影、節奏與量體的美感。雕塑創作者所執取能觸動人心的質素，其實好比溫度、氣味那樣抽象，卻富含深邃的穿透力道。這直指人心的靈光，讓人在共鳴中入戲的美學感通，也或許就像鄉愁一般，在睹物思情的掛念，與近鄉情怯的期待中具體化現。

海風、山嵐、晨曦、霞光，除了形與色，還有溫度的記憶在。炊煙、熱湯、木桌、陶杯，氣味的迴響是鄉愁漸層的色調。在人們日常的美感經驗中，伴隨觸覺所惦記的溫度與氣味記憶，經常成為重溫舊夢旅程的一種引信。而雕塑創作所涉入的工作，就是在這琳瑯滿目的美好時空中，以合宜的方式、真切的情感，來「凝」記下種種美麗的臨在。

承澤作為一名雕塑創作者，喜歡在細微時光中以感性的觀察來體驗生活的滋味，也喜歡在詩境般的想像空間中，遊戲造形變化萬千的的況味。對於承澤來說， 藝術創作就是分享生活中的各種心境與故事。

Abstraction of Nostalgia
– Artist Statement by Jason Shih

Sculpture is to interpret the beauty of light and shadow, rhythm and volume through the visual techniques of color, shape and texture.  The qualities that the creators of sculpture pursue to touch people’s hearts are actually as abstract as temperature and smell, but rich in profound penetrating power.  This aura that directly points to people’s hearts, and the aesthetic sense that makes people enter the drama in resonance, may also be like nostalgia, embodied in the nostalgia of seeing things and thinking about them, and the timid expectation of being close to the hometown.

Sea breeze, mountain mist, morning sun, sunset, in addition to shape and color, there is also the memory of temperature.  Cooking smoke, hot soup, wooden tables, pottery cups, the echo of the smell is the gradual tone of nostalgia.  In people’s daily aesthetic experience, the memory of temperature and smell accompanied by touch often becomes a kind of fuse to revisit the journey of old dreams.  The work involved in sculpture creation is to “condense” and record all kinds of beautiful presence in this beautiful time and space in an appropriate way and with true emotions.

As a sculpture creator, Jason Shih likes to experience the taste of life with perceptual observation in the subtle moments, and also likes the ever-changing situation of game shapes in the poetic imaginary space.  For Jason Shih, art creation is to share various moods and stories in daily life.