薄丘尼（Umberto Boccioni, 1882-1916）
麥約（Aristide Maillol, 1861-1944）

近年來在持續探索“能量流動下的形體”。喜歡未來派所主張“在時空中，光與動能的伸展”。彷彿抓住了時空中瞬息萬變的能量，火光或流水、輕風或雲霧，使形體在最完美的時候，定格為一種極具張力的美學。

麥約認為雕塑家所創造的某種形態，其實就是雕塑家自我思想、精神的理想化外現。因而所謂的創作，或許就是向內淬鍊極致的精神品質，以及表現簡明潔淨的審美訴求。

In recent years, I have been exploring the “forms under the flow of energy.” I am drawn to the futuristic concept of “the extension of light and kinetic energy in time and space.” It’s as if I’ve captured the ever-changing energy of time and space, whether it’s fire or flowing water, breeze or mist, freezing the form at its most perfect moment into a tense aesthetic.

Maillol believes that the forms created by a sculptor are actually the idealized manifestation of the sculptor’s own thoughts and spirit. Therefore, so-called creation may be to refine the ultimate spiritual qualities inwardly and express the aesthetic pursuit of simplicity and purity.